Then at the end of the week, students will submit his or her completed work for a final video critique conducted by the instructor.įor an example of a course lecture, the various critiques, and an example of the forum-style website click here.I’m still fairly new to digital 3D art, but I have learned the basics on how to add materials and create texture maps for painting 3D models digitally. Along with these updates, the students can also post questions, not only about the specific challenges, but general questions as well. The students will spend the rest of the week working on the challenge, posting updates to the forum-style site to be reviewed by the other students and the instructor. At the end of each lecture, the instructor will give the students a challenge to complete. Xuan holds a BFA in Arts&Design from Universidad Complutense de Madrid.Įach week a video tutorial created by our industry professionals will be uploaded covering that week’s topic. Currently, Xuan is working on the Ridley Scott’s new feature “The Book of Exodus”. For the last several years Xuan has worked as a VFX Artist in London as well as a VFX Photographer all around the world. From there he moved to feature animation working on films like Planet 51 and Happy Feet. He started his professional career working as 3D Generalist for TV Commercials in Madrid.
His film credits include projects like Iron Man, Godzilla, Prometheus, Maleficent, and World War Z. Xuan Prada is a Senior Texture Painter & Look-Development Artist at Double Negative in London. Differences between texturing for animation and texturing for VFX.Dailies templates and slap-comps to show the work.
Dealing with 3D scans in Zbrush and Mari.Neutral light rigs and natural light rigs based on HDRI.Look-development strategies, from blocking to polishing.Painting colour, specular, bump, displacement, sub surface scattering and isolation masks.Texture projections in Maya, Mari and Photoshop.Photo shooting to gather texture references.Professional UV mapping based on multi UDIMs.Xuan will also describe how to create a daily template to showcase the work on either a demo reel or for review.Specific topics that will be covered: Throughout the course Xuan will also explain how to set up a photo shoot to gather texture references. This course will cover both hard-surface objects and more organic objects like the course provided human head.
Students will learn how to control the various texture channels and how to paint texture maps for each to get the desired effect. Students will learn how to create different attributes on a variety of materials using the most current techniques for VFX projects. The purpose of this course is to teach students how to texture a realistic asset from scratch.
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